Paul Binski

The Westminster Retable: History, Technique, Conservation Paul Binski

Publisher Marketing: The late 13th-century Westminster Retable is rightly celebrated as one of the most beautiful and enigmatic panel paintings to have survived from medieval Europe. Its history is not without tragedy. It was made in the Westminster Abbey, one of the most prestigious Gothic churches of the thirteenth century, itself a treasure-house of medieval wall and panel painting; then, after the Dissolution of the Monasteries, it was demoted rapidly to use as part of a large cupboard; its ruination in the eighteenth century just pre-dated the Gothic Revival and its rediscovery and rescue. Since then, it has intrigued commentators because of its extraordinary technical mastery, its value as an ornamental resource for study and, more recently, as an important if fragmentary link in the history of painting in England and France in the thirteenth century. There is every reason to believe that its standing as an artwork was apparent even in the Middle Ages, and that, in short, it may be seen as one of the central monuments of Anglo-French Gothic painting. Contributor Bio:  Binski, Paul Paul Binski is Professor of the History of Medieval Art at Cambridge University. He specializes in the art and architecture of medieval Western Europe. His previous publications include The Painted Chamber at Westminster (1986), Westminster Abbey and the Plantagenets (1995), which won the Longman's History Today Prize, and Becket's Crown, Art and Imagination in Gothic England, 1170 1300 (2004), winner of the 2006 Historians of British Art Prize and the Ace-Mercers 2005 International Book Prize.