Thomas K Hagood

Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 Thomas K Hagood

Marc Notes: Includes bibliographical references and index. Publisher Marketing: Contemporary American dance scholars agree that the first venue for critically informed, aware, and diverse reflections on dance was Impulse. While Impulse was recognized as the platform for dance scholarship during the years of its publication, following its cessation in 1970, only a handful of libraries and collections retained a full complement of its issues. Over time and out of view Impulse began to fade from memory, and many upcoming dance scholars were unaware of its rich history and seminal contributions to the field. Fortunately, as Impulse collected dust on shelves, technologies evolved that offered hope for the preservation of print and media collections. In 2008 a project was initiated to preserve Impulse as a digital collection and bring together a cohort of dance scholars to analyze each issue from today's point of view. Their collected works are presented in Contemporary Dance History: Revisiting Impulse, 1950-1970. There is no comparable study or project designed to preserve and facilitate access to original source materials in dance at this time. Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 stands alone as a compendium of critical analyses of the full roster of a publication dedicated to dance. As eminent authors of the time were invited to contribute to issues of Impulse, contemporary dance scholars were invited to contribute to this book that examines Impulse from today's point of view. This volume revisits the journal's breadth of commentary, scope of authorship, and provocative yet engaging discourses. In these regards Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 is unlike any other contemporary volume of dance studies. Perspectives on Contemporary Dance History: Revisiting Impulse, 1950-1970 will be of interest to current and emerging dance scholars, dance historians, cultural theorists, education specialist, arts librarians, and those who seek a model for reclaiming the foundational literature of a discipline.