Reginald Gibbons

How Poems Think Reginald Gibbons

Brief Description: Reginald Gibbons collects here a lifetime s worth of thoughts on composing and translating poetry. Not a manifesto or a general theory of the lyric, rather, the book explores how a poem thinks: that is, what results from the circumstances of a poet s native language, choice of words and topics, the mentality that the poet shares with other writers, and the range of poetic possibilities (and limitations) in a given language. Through exemplary case studies taken from his own experience in writing poetry, as well as in translating poetry from languages ranging from Sophocles s and Pindar s ancient Greek to their contemporary French, Italian, Portuguese, Russian, and Spanish successors, Gibbons traces the curious persistence of classical modes and images into the twenty-first century. He shows how the very language used in composing a poem, be it ancient Greek, Renaissance English, or contemporary Russian, both limits and enables how a poet thinks and what the poet can say. Even in describing difficult poetic concepts and operations, Gibbons writes in a clear, companionable style, entirely accessible not just to practicing poets, but also to general readers interested in poetry, and to writers of various stripes interested in the way our native language can often circumscribe what and how we think poetically, and affect how we compose poetry and prose. This book joins other titles by this award-winning writer on the Press s list."Biographical Note: Reginald Gibbons is the Frances Hooper Professor of Arts and Humanities at Northwestern University. His most recent poetry collections are "Creatures of a Day," a finalist for the National Book Award; and "Slow Trains Overhead: Chicago Poems and Stories."Marc Notes: Includes bibliographical references and index. Table of Contents: Introduction: How Poems Think 1 This Working against the Grain 2 Fortunately, the Marks on the Page Are Alien 3 On Rhyme 4 On Apophatic Poetics (I): Teach Me That Nothing 5 On Apophatic Poetics (II): Varieties of Absence 6 The Curious Persistence: "Techne" 7 Simultaneities: The Bow, the Lyre, the Loom 8 Onyx-Eyed Odalisques 9 Had I a Hundred Mouths, a Hundred Tongues Afterword: A Demonstration Acknowledgments References Index"

Contributor Bio:  Gibbons, Reginald Reginald Gibbons is the Frances Hooper Professor of Arts and Humanities at Northwestern University. His most recent poetry collections are "Creatures of a Day", a finalist for the National Book Award; and "Slow Trains Overhead: Chicago Poems and Stories".