George Moore

Celibates George Moore

As portraits, these of Mildred Lawson and John Norton are exquisitely finished. They are half-lengths, with a quality of coloring fascinating in its repelling truth. Every tint and shade have been cunningly and caressingly laid in, so that the features, living and animated, are yet filled with suggestions of the spiritual barrenness in the originals. Very human they are, and yet they are without those gracious qualities which link humanity with what we feel to be divine. There is the touch of nature here, but it is not the touch which makes the whole world kin. That touch we ourselves supply; and it speaks eloquently for Moore's art that in picturing these unlovely beings he throws us back on our better selves. Beyond the vision of these celibates here revealed we see a passionate humanity, working, hating, sorrowing, and dying, yet always loving, and in loving finding its fullest life in an earthly salvation. True love is a mighty democrat. Knowing these "Celibates," we welcome the more gladly those who, even if less gifted, are ready to walk with us, hand in hand, along the common human highway of the "pilgrim's progress." TEMPLE SCOTT.