Bret Harte

Drift from Two Shores Bret Harte

Publisher Marketing: He lived beside a river that emptied into a great ocean. The narrow strip of land that lay between him and the estuary was covered at high tide by a shining film of water, at low tide with the cast-up offerings of sea and shore. Logs yet green, and saplings washed away from inland banks, battered fragments of wrecks and orange crates of bamboo, broken into tiny rafts yet odorous with their lost freight, lay in long successive curves, -the fringes and overlappings of the sea. At high noon the shadow of a seagull's wing, or a sudden flurry and gray squall of sandpipers, themselves but shadows, was all that broke the monotonous glare of the level sands. He had lived there alone for a twelvemonth. Although but a few miles from a thriving settlement, during that time his retirement had never been intruded upon, his seclusion remained unbroken. In any other community he might have been the subject of rumor or criticism, but the miners at Camp Rogue and the traders at Trinidad Head, themselves individual and eccentric, were profoundly indifferent to all other forms of eccentricity or heterodoxy that did not come in contact with their own. And certainly there was no form of eccentricity less aggressive than that of a hermit, had they chosen to give him that appellation. But they did not even do that, probably from lack of interest or perception. To the various traders who supplied his small wants he was known as "Kernel," "Judge," and "Boss." To the general public "The Man on the Beach" was considered a sufficiently distinguishing title. His name, his occupation, rank, or antecedents, nobody cared to inquire. Whether this arose from a fear of reciprocal inquiry and interest, or from the profound indifference before referred to, I cannot say. Contributor Bio:  Harte, Bret Bret Harte (1836-1902) was an American writer whose western stories and poems launched the "local color" school in American fiction.