Katherine Mansfield

The Garden Party Katherine Mansfield

Publisher Marketing: The Garden Party By Katherine Mansfield Classic Novels Brand New Edition "The Garden Party" is a 1922 short story by Katherine Mansfield. It was first published in the Saturday Westminster Gazette on 4 February 1922, then in the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at Tinakori Road, Wellington. The Sheridan family is preparing to host a garden party. Laura is supposed to be in charge but has trouble with the workers who appear to know better, and her mother (Mrs. Sheridan) has ordered lilies to be delivered for the party without Laura's approval. Her sister Jose tests the piano, and then sings a song in case she is asked to do so again later. After the furniture is rearranged, they learn that their working-class neighbor Mr. Scott has died. While Laura believes the party should be called off, neither Jose nor their mother agree. The party is a success, and later Mrs. Sheridan decides it would be good to bring a basket full of leftovers to the Scotts' house. She summons Laura to do so. Laura is shown into the poor neighbors' house by Mrs. Scott's sister, then sees the widow and her late husband's corpse. She is enamored of the young man, finding him beautiful and compelling, and when she leaves to find her brother waiting for her she is unable to complete the sentence, "Isn't life..." Review Citations: Library Journal 08/01/1999 (EAN 9780786115105, Analog Audio Cassette) Hornbook Guide to Children 07/01/2011 pg. 352 (EAN 9781583419182, Library Binding) Contributor Bio:  Mansfield, Katherine Katherine Mansfield was a popular New Zealand short-story writer best known for the stories "The Woman at the Shore," "How Pearl Button Was Kidnapped," "The Doll's House," and her twelve-part short story "Prelude," which was inspired by her happy childhood. Although Mansfield initially had her sights set on becoming a professional cellist, her role as editor of the Queen's College newspaper prompted a change to writing. Mansfield's style of writing revolutionized the form of the short story at the time, in that it depicted ordinary life and left the endings open to interpretation, while also raising uncomfortable questions about society and identity. Mansfield died in 1923 after struggling for many years with tuberculosis.