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Sarah Kane's 4.48 Psychosis - The Fourth Wall
Glenn D'Cruz
"Everything passes/Everything perishes/Everything palls" ? 4.48 Psychosis
How on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis? inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane?s final play is much more than a bizarre farewell to mortality. It?s a work best understood by approaching it first and foremost as theatre ? as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre.
Glenn D?Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne?s Red Stitch Theatre (2007).
90 pages, 4 Halftones, black and white; 4 Illustrations, black and white
| Mediji | Grāmatas Paperback Book (Grāmata ar mīksto vāku un līmēto muguru) |
| Izlaists | 2018. gada 20. februāris |
| ISBN13 | 9781138097476 |
| Izdevēji | Taylor & Francis Ltd |
| Lapas | 90 |
| Izmēri | 145 × 154 × 7 mm · 94 g |
| Valoda | Angļu |
![Cover for Glenn D'Cruz · Teaching Postdramatic Theatre: Anxieties, Aporias and Disclosures (Paperback Book) [Softcover reprint of the original 1st ed. 2018 edition] (2018)](https://imusic.b-cdn.net/images/item/original/933/9783030100933.jpg?glenn-d-cruz-2018-teaching-postdramatic-theatre-anxieties-aporias-and-disclosures-paperback-book&class=scaled&v=1605200526)
