Rashomon Effects: Kurosawa, Rashomon and their legacies - Routledge Advances in Film Studies - Blair Davis-Robert Anderson-Jan Walls - Grāmatas - Taylor & Francis Ltd - 9781138827097 - 2015. gada 12. novembris
Ja vāks un nosaukums nesakrīt, pareizs ir nosaukums

Rashomon Effects: Kurosawa, Rashomon and their legacies - Routledge Advances in Film Studies 1. izdevums

Cena
€ 250,49

Pasūtīts no attālās noliktavas

Paredzamā piegāde . gada 2. - 16. nov.
Ziemassvētku dāvanas var atgriezt līdz 31. janvārim
Saņemiet paziņojumus par jauniem Blair Davis-Robert Anderson-Jan Walls izdevumiem
Pievienot savam iMusic vēlmju sarakstam

Not rated yet

Pieejams arī kā:

Akira Kurosawa is widely known as the director who opened up Japanese film to Western audiences, and following his death in 1998, a process of reflection has begun about his life?s work as a whole and its legacy to cinema. Kurosawa?s 1950 film Rashomon has become one of the best-known Japanese films ever made, and continues to be discussed and imitated more than 60 years after its first screening.

This book examines the cultural and aesthetic impacts of Akira Kurosawa?s Rashomon, as well as the director?s larger legacies to cinema, its global audiences and beyond. It demonstrates that these legacies are manifold: not only cinematic and artistic, but also cultural and cognitive. The book moves from an examination of one filmmaker and his immediate social context in Japan, and goes on to explore how an artist?s ideas might transcend their cultural origins to ultimately provide global influences. Discussing how Rashomon?s effects began to multiply with the film being re-imagined and repurposed in numerous media forms in the decades that followed its initial release, the book also shows that the film and its ideas have been applied to a wider range of social and cultural phenomena in a variety of institutional contexts. It addresses issues beyond the realm of Rashomon within film studies, extending to the Rashomon effect, which itself has become a widely recognized English term referring to the significantly different interpretations of different eyewitnesses to the same dramatic event.

As the first book on Rashomon since Donald Richie's 1987 anthology, it will be invaluable to students and scholars of film studies, film history, Japanese cinema and communication studies. It will also resonate more broadly with those interested in Japanese culture and society, anthropology and philosophy.


198 pages, 5 black & white illustrations, 5 black & white halftones

Mediji Grāmatas     Hardcover Book   (Grāmata ar cieto muguriņu un vāku)
Izlaists 2015. gada 12. novembris
ISBN13 9781138827097
Izdevēji Taylor & Francis Ltd
Lapas 198
Izmēri 270 × 164 × 17 mm   ·   430 g
Valoda Angļu  
Redaktors Anderson, Robert (Simon Fraser University, Canada)
Redaktors Davis, Blair (DePaul University, USA.)
Redaktors Walls, Jan (Simon Fraser University, Canada)

Vairāk no tā paša izdevēja